Take a look at the finalists for the category of  Online Video Journalism, Small Site:

• AARP Bulletin Today, Journey to Remember
• AARP Bulletin Today, What Will Happen to Andy?
• Danny Wilcox Frazier, Produced by MediaStorm, Driftless: Stories from Iowa
• Hank Wilson, No Snitching, No Suspects

In the large site category, things aren’t really any better, though at least ESPN is a television network:

• ESPN.com, You Tube Baby
• Slate V, The Power Recap
• Washington Post Digital, Fashion Week in New York City
• Washington Post Digital, Seeds of Peace

So, what’s up with this?  I asked long-time photojournalist turned Web expert Rich Murphy.  Rich oversees the Web site for WTTG in Washington, DC.

“Could be that TV (web) journalists are still more used to the traditional awards and stick to what they know to enter,” Murphy said.  ”Most TV web sites are still reliant on re-purposing what is produced for the broadcast side.  Not many TV stations web producers have the time or freedom to go out in the field to do original reporting.”

Photojournalist and author of the News Videographer blog, Angela Grant says newspapers, in particular, may be trying harder online.

In the past few years newspapers freaked out because their print revenues were declining, and they decided to try to make up their losses using the Internet. So they pushed their employees to innovate online and to work hard to develop web skills. This caused newspaper web sites to get better and better. This caused newspaper reporters and photojournalists to experiment with online video, and by now they’ve had a good chunk of time to polish their skills. When they want to enter contests, they think immediately of online-  or Internet-focused contests.

Now it’s your turn – what’s happening here?  Is it that TV stations aren’t entering or is it that they’re not creating unique and compelling online video?  Maybe a little of both?  Let us know.

Consider what staid old Fortune magazine has been doing lately, in collaboration with the online magazine Flyp Media. Flyp has turned some of Fortune’s editorial content into imaginative multimedia features, like this piece on the Bernie Madoff investment scam. Fortune executive editor Steve Koepp told the AP, “It’s just an exciting new way to present the information to the reader. It’s a little taste of the future.”

Using Flash animation, video and other multimedia tools, Flyp has been telling stories online for about a year. The company is financed by Mexican billionaire Alfonso Romo Garza, a member of Forbes’ board of directors, who also funds the Spanish-language Web magazine Reporte Indigo.

Senior editor Matthew Schaeffer describes Flyp’s stories as “experiences.”

The idea isn’t just to write a story and then add a video or an audio piece. It’s to really figure out the best way to conceptualize these stories as multimedia pieces.

Flyp may have an advantage over traditional media companies because its material is published only online. No one there has to worry about how the story will look in the newspaper or on TV. But the magazine’s approach underlines the importance of thinking differently from the start when you’re planning to produce multimedia journalism.

The survey found that more than half of Americans say religion is very important in their daily lives, attend religious services regularly and pray every day, but that a majority of Americans are not dogmatic about their beliefs. The report included a chart (left) showing how people of different faiths interpret their religion’s teachings.  Useful information but dull as dishwater.

USA Today took the same information and made it both attractive and interactive online.

Not only can you compare responses from different faith groups, you can sort the results to make the comparisons even  clearer at a glance. Every major question in the survey has been illustrated this way, giving users the opportunity to explore the answers that interest them most. Nice work!

As the caption notes and the map makes clear, “Job losses have been most severe in the areas that experienced a big boom in housing, those that depend on manufacturing and those that already had the highest unemployment rates.”

USA Today combines a map of home loans with a timeline “scrubber” that lets users compare data from 2000 and 2007. It’s a dramatic illustration of the huge increase over that time period in mortgages that were four times greater than the applicant’s annual income.

CNN has a series of maps that make the state-by-state impact of the recession easy to grasp at a glance, showing unemployment, state budget deficits and foreclosures.

Embedded in the maps are personal stories, like that of Fai Nomaaea [left], who lost her rented home when the owner defaulted on the mortgage. Additional maps show the estimated effect of the federal stimulus bill on jobs in each state. It’s a great example of a “sticky” site giving users a lot to explore.

Please let us know if you’ve produced or seen other recession-related maps so we can share more good examples.

How you edit with audio makes a huge difference to the viewer’s experience. TV editors often use a technique that’s sometimes called an “L-cut” to sneak audio from the scene that’s coming up next into the scene that’s just ending. The audio foreshadows where the story is going and draws the viewer along, making the edit seem less jarring.

That same technique can be used effectively online when using full screen text in lieu of narration.  When text graphics pop up with no audio, the viewer may feel like the story has come to a dead stop. So try adding some natural sound from the video that’s coming up right after the graphic to keep your online stories moving.

Want an example? Check this video at the Washington Post.

Students from the University of North Carolina’s School of Journalism are helping with the Post coverage.  According to the school, all of the journalists working on TimeSpace are equipped with a GPS device making it possible to upload video and photos of the event as it happens with the exact time and location of the coverage.

American University students are contributing to Inauguration Report, a project of CBS News and NPR, along with the people behind TwitterVision.  AU students with Flip cameras are shooting video for the project, which also uses GPS technology to map the location of submissions.  What an amazing opportunity for the students from both schools to have a piece of this story.

There are no doubt dozens of amazing multimedia projects being created today. Let us know of others we should highlight.

Her categories include map-based storytelling like the Iowa tornado coverage we mentioned here, as well as interactive graphics, video interactives and “games for smart people.”  One game I particularly like is Minnesota Public Radio’s “You be the judge” feature that lets users decide whether challenged ballots in the undecided Coleman-Franken Senate race should be accepted or thrown out.

I also loved the AARP “Best of 1968” interactive, subtitled “the year that rocked our world.”  It might not be wise to admit this but I scored “groovy” on the pop quiz.  Ah yes, I remember it well.  [Anyone who can name the musical that last line comes from should probably take this "50s facts" quiz.]

Happy New Year.

Newspapers swept most of the other awards, including a new one this year for best online video presentation.  That award went to the Oregonian for its feature “Living to the End.”

Special congratulations to the two student journalism winners: UNC-Chapel Hill & Universidad de los Andes for South of Here, and Taylor Hayden of Western Kentucky University for Closer to Home: A Daughter Becomes Caregiver.  Judges said the UNC entry had “excellent journalism, stunning photography, creative navigation, elegant structure, refreshing and enlightening content, all superbly executed technically.”  Hayden drew praise for “well-done video, still imagery within and a spare design that works well for the project.”

For broadcasters, it’s disturbing to note how few radio or TV news outlets are represented on the list.  Just five of the entries included below were created in broadcast newsrooms, and just one of those at the local level (WRAL-TV).  What’s wrong here when there are no TV news operations nominated in the online video presentation category?

Still, it’s worth browsing all the entries to see some of the best in multimedia storytelling.

 Breaking News, Large Site

• LATimes.com, Wildfires
• NPR.org, China Earthquake
• NYTimes.com, Eliot Spitzer’s Resignation
• SignOnSanDiego.com, San Diego Union Tribune, Wildfires
• StarTribune.com, Minneapolis Star Tribune, Bridge Collapse
   

Breaking News, Medium Site

• LasVegasSun.com, Monte Carlo Fire
• OregonLive.com, The Oregonian, Oregon Storm Map
• STLtoday.com, St. Louis Post-Dispatch, Kirkwood Shootings
• Tennessean.com, Tennessee Tornado

 General Excellence, Large Site

• CNN.com
• HuffingtonPost.com
• NYTimes.com
• Politico.com
• Reuters.com

 General Excellence, Medium Site

• LasVegasSun.com
• MinnesotaPublicRadio.com
• Truthdig
• WRAL.com

 General Excellence, Small Site

• Army Times
• CQPolitics.com, Congressional Quarterly Politics
• NewWest.net
• RapidCityJournal.com, Rapid City (S.D.) Journal

Multimedia Feature, Large Site

• CNN.com, Eyewitness to Murder: The King Assassination
• LATimes.com, Burnover
• MSNBC.com, Battle of the bags: Paper vs. plastic
• Reuters.com, Bearing Witness

 Multimedia Feature, Medium Site

• Cleveland.com, Johanna: Facing Forward
• TheGlobeandMail.com, Talking to the Taliban
• HonoluluAdvertizer.com, When Pedestrians Die
• LasVegasSun.com, Boomtown
• STLtoday.com, St. Louis Post-Dispatch, Reporting for Duty

 Multimedia Feature, Small Site

• Arkansas Online, Arkansas Democrat-Gazette, The Soldier’s Wife
• GEO.fr, Hidden World
• OttawaCitizen.com, 70 Years of Superman
• Roanoke.com, The Roanoke Times, Age of Uncertainty

Online Video Presentation

• Border Stories
• DesMoinesRegister.com, Insights into the Candidates
• OregonLive.com, The Oregonian, Living to the End
• Slate.com, Hillary’s Inner Tracy Flick

Student Journalism

• University of California, Berkeley, Mauro’s Shift
• Justin McLachlan, West Virginia University, Where Doubt Remains
• Taylor Hayden, Western Kentucky University, Closer to Home: A Daughter Becomes Caregiver
• University of North Carolina, Chapel Hill & Universidad de los Andes, South of Here

We’ve already noted the work of NBC’s “digital correspondent” Mara Schiavocampo, who files stories both online and on the air.  What’s different now is that NBC has aired a story that was shot, edited and voiced by a Nightly News producer, Clare Duffy. That may not sound like such a big deal, but it’s a radical change for a network news division.

In a post at MediaShift, Peek says NBC has been “pushing the digital journalism agenda as a way to cast a broader newsgathering net and lower production costs.”  Many long-time journalists at NBC have been wary of the effort, he says, worrying that it may compromise quality.  As Peek himself notes, the digital journalist method is efficient but “something’s got to give.”

Not even the best digital journalists can shoot, edit, write and report as well as the dedicated teams of experts who still dominate TV news production. The biggest compromise comes in technical quality. The video from DV cameras is softer than beta; the sound is not a sharp. Producer editing on low-end systems is a stripped-down affair; straight cuts and dissolves. Stand-ups and tracking from producers also can suffer. And time pressure puts everything under the gun — even though the DJ model is more efficient, it still often takes more time to get it all done well.

But in many cases, Peek argues, none of these compromises make much of a difference, and the result is a story that’s plenty good enough for any medium.

This has the potential to dramatically alter the economics of network news production by allowing much broader use of these web-oriented stories. It also means that news organizations can more easily use their content on whatever platform makes the most sense, without recutting, revoicing or repackaging to meet the quality standards of the high-end platforms (stories can now just as easily travel up the quality stream from web to broadcast as down it).

I can hear some VJ advocates now, saying “Duh!” and “About time!”  But even Duffy, the producer/reporter of the NBC penguin story, has concerns about a wholesale move to “solo” journalism:

What I do worry about is the loss of the collaborative nature of what we do…There’s a reason the best TV has been made that way since its inception and it’s something that should not be chucked out wholesale as irredeemably ‘old media’ simply because people are overly entranced by the idea of saving money. Losing that will yield a product that’s not worth very much.

There’s truth is, they’re both right. Some stories are best told by a solo journalist with a small camera; other stories turn out better when developed by a collaborative team.  But the “digital journalist” revolution is already well underway, and it’s good to see some recognition of that at the network level.